Graziela's work starts with the deconstruction of linen, re-signifying the support and materiality of both the painting and textile works. In this sense, the artist takes the opposite path expected for the construction of the two works: instead of adding layers, she removes them. Her experimentation with color, form, materials, and composition transforms the idea of weaving from a two-dimensional element to an architectural component that challenges the limits, not only of the support but also of space.